Wokeness began in the 1920s

https://unherd.com/2020/01/the-great-awokening-started-a-century-ago/ Selected quotes:

The habit of mind I term “asymmetrical multiculturalism”, which combines white intellectuals’ hostility to their own group with a romantic celebration of minorities, began not in the 2010s, but in the years following the First World War. Likewise what we call wokeness is a sensibility rooted in a set of ideas I term “Left-modernism”, a hybrid ideology of liberal cosmopolitanism and cultural egalitarianism. This blend crystallised before the War, but spread within US high culture in response to nativist populism in America and nationalism in Europe.

In the 1960s, Left-modernism achieved mass penetration with the expansion of television and the universities, influencing the ambitious members of the new Baby Boom generation and steadily capturing society’s elite institutions in the 80s, 90s, 2000s and today.

The story begins in the 19th century, when nations were still considered an instrument of liberal progress. Cosmopolitanism prior to 1900 was typically yoked with admiration for the nation.

In the 1900s, the national-cosmopolitan intellectual synthesis of liberals like [Ralph Waldo] Emerson began to decay into its warring components: a universalist cosmopolitanism and a closed ethnic nationalism. In America the former steadily gained ground after 1905.

Universalist cosmopolitanism was adopted by the country’s liberal Protestant elites of the Federal Council of Churches (FCC) in the 1910s, with the ecumenist New Testament idea that “there is neither Jew nor Greek” in Christ replacing anti-Catholicism and temperance as the organisation’s guiding ethos.

Into this brew came a wholly secular new force in American life: bohemian modernism. Taking root among a small cadre of highly-educated radical WASPs in Greenwich Village, New York, the “Village Renaissance” gave birth to the first fully-formed Left-modernist cénacle, the so-called Young Intellectuals. Among the innovations pioneered by this group in the 1912-17 period were modern art and theatre, “slumming” tours of ethnic ghettoes like the Jewish Lower East Side, and, thanks to Carl Van Vechten, the habit of travelling to Harlem to hear black jazz.

Expressive and interesting ethnics were contrasted with the stale Anglo-Protestant majority.

Remarking upon New York Times writer Sarah Jeong’s tweets against white people, Reihan Salam wrote in the Atlantic in 2018: “A lot of them [anti-white intellectuals] have been whites who pride themselves on their diverse social circles and their enlightened views, and who indulge in their own half-ironic white-bashing to underscore that it is their achieved identity as intelligent, worldly people that counts most, not their ascribed identity as being of recognizably European descent.”

The Anglo-American majority was dehumanised as an automaton subservient to authority. Mencken called them “serfs and goose-steppers” or the “booboisie”. Van Wyck Brooks dubbed them “the apotheosis of the average” while Matthew Josephson scorned the “well-fed, indifferent masses”.

The difference between the culture wars of the 1920s and now is that the Left is far stronger today. After the Second World War university education exploded, more than doubling between 1950 and 1970 and eventually reaching nearly half the US population. Television sets could be found in just 9% of American homes in 1950, but by 1965, 93% had one. This spread the sensibility of relatively liberal New York, Los Angeles and Washington across the entire nation.

In 1976, Daniel Bell wrote that “the life-style once practiced by a small cenacle . . . is now copied by many . . . [and] this change of scale gave the culture of the 1960s its special surge, coupled with the fact that a bohemian life-style once limited to a tiny elite is now acted out on the giant screen of the mass media.”

Today, . . . progressives are powerful in the media, Hollywood, unions, large corporations, government agencies and the universities. So much so that they are now in control of social norms and institutional sanctions.

Where communists, atheists and Elvis alike once felt the sting of conservative moral panic, today’s Inquisition is progressive, enforcing panics over racism and sexism, and concocting such faux-racist notions as cultural appropriation. Indeed, Left-modernists influence the direction of the Democrats to the extent that the party cannot speak of “illegal” immigration, deportation or assimilation, while most primary candidates feel compelled to endorse reparations for slavery.

The populism and polarisation of the 1920s faded in large part because the new immigration laws constricted the flow of newcomers, allowing for assimilation. First, Protestant immigrant groups like the Scandinavians and Germans married into the WASP majority, then, after the 1960s, Catholics and Jews began marrying Protestants, creating a new “white” majority. By that time, the rising influence of 60s liberalism reopened the country’s gates, which has produced a level of diversity that rivals that of the 1920s.

Trump is a response to the ethnic shifts which followed the liberalising 1965 Hart-Celler immigration Act, but will today’s culture war repeat the cycle? Will restriction and assimilation calm passions and heal divides? The power of today’s Left-modernism places that outcome in doubt.

Regardless of what happens in 2020, the Left may eventually prevail at the presidential level as Democratic-leaning Hispanic and Asian voters form an ever larger part of the electorate. These groups have not yet melted into the majority the way white Catholics did after Kennedy’s election, and until they do, they are unlikely to lean Republican.

The outcome in America may therefore be one in which a provincial populist minority bitterly resents a liberal urban majority, obstructing Democratic legislation in the Senate. In Europe, restrictionists are more likely to prevail, but a significant group of disgruntled “Anywheres” will continue to revolt, fomenting cultural division. History repeats itself, but never in quite the same way.

That's about right. A lot of crazy stuff was thought of by late-age Victorians. We've been suffering from their influence ever since.